XaraSound

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XARAGUA SOUND

OFFICIAL DEPARTMENT OF MUSIC AND NATIONAL AUDIO HERITAGE

SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

Issued by the Office of the Rector-President

Under the Direct Jurisdiction of the Ministry of Audio Communication

Institutional Entity: Department of Music, University of Xaragua

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STATE DECREE ON MUSICAL SOVEREIGNTY, SACRED SOUND HERITAGE, AND ACOUSTIC JURISDICTION

In full execution of its permanent and non-derogable right to spiritual, cultural, and educational sovereignty—as enshrined in:

Article 3 of the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP)

Articles 11, 13, 16, and 31 of UNDRIP, which uphold the right to preserve, protect, and revitalize cultural manifestations and oral traditions;

Articles 18, 19, and 27 of the International Covenant on Civil and Political Rights (ICCPR), establishing the right of peoples to maintain and develop cultural life;

Canons 215 and 298 of the Codex Iuris Canonici, regarding the associative rights of the faithful and the ecclesiastical protection of sacred expression;

and the Foundational Charter of the Sovereign Catholic Indigenous Private State of Xaragua,

the Department of Music is hereby consecrated as a permanent and autonomous national institution, vested with full authority over the design, regulation, transmission, protection, and diffusion of all musical, sonic, instrumental, acoustic, and rhythmical forms of cultural identity within the Xaraguayan jurisdictional system.

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I. INSTITUTIONAL MANDATE AND DOCTRINAL INTEGRATION

The Department of Music, operating under the canonical and sovereign structure of the Ministry of Audio Communication and in academic symbiosis with the University of Xaragua, is mandated to fulfill the following national imperatives:

Develop and disseminate original academic research in the fields of indigenous musicology, ethno-sonic epistemology, ritual rhythmics, and acoustic anthropology rooted in Taíno and West African cosmovisions.

Institutionalize universal music literacy through pedagogical programs in musical notation and oral memory transmission across all Xaraguayan educational cycles.

Constitute official ensembles and liturgical choirs within church parishes, rural communes, and urban academic nodes, harmonizing sacred rhythm with collective consciousness.

Safeguard and propagate ancestral spiritual rhythms, especially those originating from pre-colonial rites and Afro-Taíno ceremonial cycles.

Declare music as a doctrinal instrument of catechesis, sacramental cohesion, national memory, and political resistance.

Music is hereby codified as a constitutional axis of Xaraguayan sovereignty—integral to the State’s metaphysical architecture and intergenerational transmission of divine mandate.

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II. ACOUSTIC AUTONOMY AND MATERIAL INSTRUMENTATION

The Department of Music also administers, on behalf of the State, the exclusive authority over:

The National Sound Archive, a central sovereign repository of all musical works, liturgical chants, traditional recordings, and ritual compositions of Xaraguayan origin or jurisdictional linkage.

The National Instrument-Making Program, ensuring:

Design, reproduction, and perpetuation of autochthonous instruments made from endemic or reclaimed materials, aligned with sacred function and ecological self-sufficiency.

State-certified apprenticeship cycles, whereby youth and artisans are trained in the ancient methodologies of crafting, tuning, and repairing drums, flutes, pianos, tambourinettes, and other native instruments.

Integration of these instruments into national rites, state festivals, and ecclesiastical liturgies, affirming their function as both spiritual tools and juridical symbols of cultural independence.

This program institutes an acoustic sovereignty doctrine, ensuring that no musical expression or performative infrastructure depends on foreign manufacturing, colonial epistemologies, or external supply chains.

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III. LEGAL, INTELLECTUAL, AND CANONICAL PROTECTION

The totality of musical, audio, instrumental, and vocal works produced, preserved, or authorized by the State are protected under a tripartite legal framework:

1. Indigenous Legal Sovereignty, under which all musical creations are deemed inalienable elements of the national soul, protected by the Xaragua National Intellectual Property Register.

2. Ecclesiastical Canon Law, which upholds sacred music as doctrinal and liturgical patrimony, to be guarded against desecration, misappropriation, or commodification.

3. International Legal Instruments, including UNDRIP Article 31 and the UNESCO Convention on the Protection of Intangible Cultural Heritage, which recognize the full right of indigenous nations to exclusive cultural development.

All forms of unauthorized reproduction, translation, commercialization, or extraction of musical works under Xaraguayan jurisdiction are strictly prohibited and prosecutable within international, canonical, and indigenous legal frameworks.

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IV. DISTRIBUTION, BROADCASTING, AND TRACEABILITY

Official musical productions and liturgical recordings are released solely through sovereign, secured, and traceable state broadcasting platforms:

SoundCloud – Xaragua Sound

Spotify – Xaragua Sovereign Playlist

Each distributed file is recorded with time-stamped metadata, authorship attribution, and unique sovereign registry identifiers. All content is stored in the National Audio Registry of Xaragua, under the authority of the Department of Music and the Ministry of Audio Communication.

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V. SACRAMENTAL POSITION OF MUSIC IN THE XARAGUAN ORDER

Music is enshrined in Xaragua not as entertainment, but as sacred manifestation. It is protected, transmitted, and codified as:

An educational vector of spiritual elevation and political consciousness.

A sovereign technology of identity formation and resistance to cultural occupation.

A transhistorical bridge linking ancestral voices, collective memory, and divine revelation.

All musical works, chants, instruments, and sonic expressions within the sovereign domain—whether terrestrial or diasporic, digital or analog—are placed under exclusive canonical and state protection, forming an integral corpus of the indigenous spiritual economy of Xaragua.

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

OFFICE OF THE RECTOR-PRESIDENT

MINISTRY OF AUDIO COMMUNICATION

UNIVERSITY OF XARAGUA – DEPARTMENT OF MUSIC

OFFICIAL ANNEX TO THE NATIONAL DECREE ON MUSIC AND AUDIO HERITAGE

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TITLE:

ANNEX I – INSTITUTIONAL CREATION, SOVEREIGN STRUCTURE, AND CONTRACTUAL REGIME OF THE XARAGUA SOUND MUSIC LABEL

DATE OF PROMULGATION: May 22, 2025

LEGAL CLASSIFICATION: National Institutional Annex – Canonical and Indigenous Cultural Governance Decree – Enforceable under Indigenous, Ecclesiastical, and International Intellectual Property Law

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ARTICLE I – LEGAL CONSTITUTION AND STRUCTURAL STATUS

1. The Xaragua Sound Music Label is hereby constituted as a state-owned institutional division within the Department of Music, operating under the sovereign authority of the Ministry of Audio Communication. It is solemnly declared a non-commercial yet income-generating sovereign apparatus, vested with a national mandate to:

Register, administrate, produce, publish, disseminate, and protect all officially sanctioned musical and audio works;

Exercise exclusive control over music licensing, state-authorized publishing, and event-based sound branding throughout all Xaraguayan jurisdictions;

Ensure permanent compliance with the doctrinal, pedagogical, and ecclesiastical foundations of the Xaraguayan Sovereign System.

2. This institution operates under strict sovereign and non-delegable authority, answerable solely to the Rector-President. No external oversight, private claim, or foreign influence shall be recognized.

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ARTICLE II – ARTISTIC CONTRACTUAL FRAMEWORK AND SOVEREIGN RIGHTS

1. All artist contracts issued under the auspices of Xaragua Sound are governed exclusively by Xaraguayan Sovereign Law, and are considered instruments of public cultural service. The following contractual clauses are hereby declared permanent:

a. Master Ownership

All musical masters, multitrack stems, and derivative materials produced are the inalienable property of the State and are archived within the Xaragua National Audio Registry.

Artists are granted limited, revocable royalty rights, but no ownership or commercial authority over any recorded material.

b. Creative Oversight Clause

The Rector-President or a duly appointed sovereign delegate shall maintain absolute creative intervention authority, including the right to revise, halt, redirect, or annul any production deemed misaligned with state doctrine, national ethics, or strategic messaging.

c. Termination Clause

Any artist may be unilaterally dismissed from the label upon acts of moral deviation, ideological subversion, behavioral scandal, breach of contract, or loss of public decorum—with or without penalty, and without the possibility of external arbitration.

d. Promotional Exclusivity

Contracted artists are strictly prohibited from affiliating, promoting, or monetizing their name, voice, or likeness through any foreign label, commercial platform, or unauthorized event, unless explicitly approved in writing by the State.

e. Performance Obligations

All signatory artists shall be compelled to perform at state ceremonies, festivals, institutional conferences, and national campaigns as part of their civic musical duty to the Sovereign Nation.

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ARTICLE III – INTELLECTUAL PROPERTY, COPYRIGHT, AND ROYALTIES

1. All musical and audio content developed, recorded, or disseminated under Xaragua Sound is immediately and irrevocably registered within the following state-controlled bodies:

The Xaragua National Registry of Intellectual and Sonic Property

The University of Xaragua Audio Archives

The Canonical Office for Sacred Works (when applicable)

2. Intellectual property operates under a sovereign construct wherein:

The State retains all commercial and public reproduction rights;

Artists may receive stipulated royalties, either fixed or percentage-based, as decreed by internal regulation;

Any unauthorized use, reproduction, sampling, distribution, or sale of Xaraguayan works by non-sanctioned entities constitutes cultural piracy and shall invoke immediate enforcement action.

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ARTICLE IV – PROMOTION, DISTRIBUTION, AND SPECTACLE MANAGEMENT

1. The Xaragua Sound Music Label shall retain comprehensive oversight over all promotional and performative infrastructure, including but not limited to:

Artist appearances, interviews, media tours, image cultivation, and ideological alignment;

Event production coordinated through the State Ceremonial Office, ensuring full cultural coherence;

Curated state playlists, editorial control of public releases, and exclusive programming for platforms such as SoundCloud, Spotify, and official terrestrial venues.

2. Revenue is generated through:

Ticketed events hosted in state-owned venues;

Government commissions for educational outreach and public exhibitions;

Digitally managed streaming revenues and sovereign licensing;

Merchandising operations, strictly regulated under state-controlled visual and symbolic rights.

3. All financial flows must pass through the Indigenous Bank of Xaragua, subject to sovereign transparency protocols, traceability enforcement, and equitable distribution according to national regulation.

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ARTICLE V – PUBLIC IMAGE, BRANDING, AND ARTISTIC SUBORDINATION

1. All contracted artists are formally designated as public cultural figures of the State. As such:

Any failure to uphold state-aligned conduct—whether in public appearance, online expression, or interpersonal behavior—may result in immediate censorship, financial withdrawal, contract suspension, or permanent blacklisting;

Artists are understood to be ambassadors of the national cultural doctrine and shall be held to standards of decorum, modesty, and representational dignity in all contexts.

2. Xaragua Sound retains comprehensive authority to:

Approve or reject logos, visual identity, music videos, album art, and collaborative efforts;

Oversee and direct lyrical content, thematic consistency, public speech, and aesthetic presentation.

3. All public-facing creative materials must embody and transmit the gravitas, nobility, and civilizational depth of the Xaraguayan Sovereign System.

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ARTICLE VI – LEGAL ENFORCEMENT AND SUPREMACY CLAUSE

1. This Annex, and all its clauses, are irrevocable, non-negotiable, and enforceable in perpetuity under:

The Charter of the Sovereign State of Xaragua

Canon Law and its applicable canons on cultural production and ecclesiastical representation

The United Nations Declaration on the Rights of Indigenous Peoples

All relevant conventions and enforcement mechanisms of the World Intellectual Property Organization (WIPO)

The Xaragua Internal Contract Enforcement Division

2. No foreign court, arbitration body, or third-party entity shall be recognized as competent to interpret or intervene in any contractual matter relating to Xaragua Sound. Jurisdiction is exclusively internal and indigenous.

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This Annex enters into full force immediately upon promulgation, and is binding upon all present and future artists, producers, managers, cultural technicians, and representatives acting within or in association with the Xaragua Sound Music Label.

Signed,

Rector-President

Sovereign Catholic Indigenous Private State of Xaragua

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

UNIVERSITY OF XARAGUA – DEPARTMENT OF MUSIC

XARAGUA SOUND – OFFICIAL STATE LABEL

Date of Promulgation: May 2025

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TITLE:

Bonnet Initiative for Rural Harmony and Artistic Continuity in the Indigenous Territory of Xaragua

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PREAMBLE

In formal commemoration of General Guy-Joseph Bonnet, native of Léogâne, signatory of the Act of Independence of 1804, general officer of the First Empire, and chronicler of state history, the Sovereign Catholic Indigenous Private State of Xaragua hereby enacts the present policy as a foundational directive of national cultural governance. In his Souvenirs Historiques, Bonnet attests to the implementation of musical programming within agrarian estates under his administration, including the regular invitation of violinists and performers for the benefit of agricultural families.

This documented precedent is herewith recognized as a historical and constitutional act of civic utility. Its reactivation as national policy falls under the jurisdiction of the University of Xaragua – Department of Music and its official public instrument, Xaragua Sound.

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ARTICLE I – HISTORICAL FOUNDATION

1.1. The present initiative is derived from the institutional practices of General Bonnet during the post-independence period and represents a documented example of public cultural application within agrarian structures of early national governance.

1.2. His documented use of musicians within territorial domains is recognized as a practice of non-instrumental civic support, and is accordingly reinstated as an enduring component of rural public policy.

1.3. The commune of Léogâne is hereby designated as the formal point of origin of this policy and shall host the Permanent House of Agrarian Music as an operational extension of Xaragua Sound and the Department of Music.

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ARTICLE II – JURISDICTION AND SCOPE

2.1. The implementation of this initiative falls under the exclusive institutional jurisdiction of:

The Department of Music – University of Xaragua, for pedagogical programming and content development;

Xaragua Sound, for operational logistics, personnel management, and field execution.

2.2. The initiative shall be deployed across all territorial zones falling within rural, agrarian, or communal classifications, including the Southern territories, the Nippes, Léogâne, and other areas historically or administratively recognized under the governance framework of the State.

2.3. All events or actions under this initiative are to be administered, authorized, or recorded exclusively by the above institutions and shall conform to the operational standards they establish.

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ARTICLE III – INSTITUTIONAL STRUCTURE AND EXECUTION

3.1. A national Registry of Certified Artistic Agents shall be established and maintained under the authority of the Department of Music. Its responsibilities shall include:

Identification of traditional musicians, acoustic instrumentalists, vocal interpreters, and native storytellers active or residing within the territory of Xaragua;

Registration of all approved ritual and performance agents for formal deployment;

Structuring of monthly itineraries for performance rotations across designated communal zones.

3.2. Xaragua Sound shall administer:

The logistical coordination, professional development, and financial compensation of all certified agents;

The procurement, maintenance, and deployment of instruments, technical equipment, and recording materials;

The permanent archival documentation of all sanctioned activities under the authority of the Department of Music.

3.3. All activity generated under this policy shall be logged, categorized, and stored within the centralized National Cultural Memory Server of Xaragua, and be made accessible to authorized personnel, educators, researchers, and relevant ecclesiastical bodies.

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ARTICLE IV – LEGAL STATUS AND FINANCING

4.1. This policy constitutes a sovereign cultural directive and is formally grounded in the constitutional corpus of the State. It is considered non-derogable and shall remain enforceable under the legal doctrine of self-execution (ex proprio vigore), applicable within all internal institutional structures.

4.2. The funding and operational support of this initiative shall be sourced from:

The Cultural Budget of the University of Xaragua;

The annual budgetary allocation assigned to Xaragua Sound;

Supplementary financial contributions from domestic or international institutions that operate in accordance with principles of indigenous cultural preservation and educational development.

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ARTICLE V – PHILOSOPHICAL INTENTION

5.1. This policy is not classified under entertainment or recreational programming. It constitutes a structural element of public cultural administration within the rural sector of the State.

5.2. The function of organized artistic presence is hereby defined as a civic service intended to support local cohesion, territorial memory, and communal well-being.

5.3. This initiative is established not as a limited program but as a permanent component of national cultural infrastructure.

5.4. It shall be formally referenced in institutional documents as:

“The Bonnet Initiative for Communal Aesthetic Vitality in Xaragua.”

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FINAL CLAUSE

This policy is neither derived from the Republic of Haiti nor subject to its frameworks. Its origins reside in the precedent set by General Guy-Joseph Bonnet, in the communal memory of Léogâne, and within the sovereign cultural jurisdiction of the State of Xaragua.

The policy is declared permanent, binding, and operational.

Signed,

Rector-President, Sovereign Catholic Indigenous Private State of Xaragua

Issued jointly by the Department of Music, University of Xaragua & Xaragua Sound

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

OFFICE OF THE RECTOR-PRESIDENT

UNIVERSITY OF XARAGUA – DEPARTMENT OF MUSIC

XARAGUA SOUND – OFFICIAL STATE LABEL

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ANNEX I

NON-REPRODUCIBILITY AND INTELLECTUAL IMMUNITY CLAUSE FOR THE BONNET INITIATIVE

Date of Ratification: May 2025

Legal Classification: Foundational Cultural Sovereignty Instrument – Constitutionally and Ecclesiastically Protected – Enforceable ex proprio vigore – Not Subject to Foreign Replication, Derivation, or Interpretation

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TITLE:

Absolute Protection and Exclusive Custodianship of the Bonnet Initiative for Rural Cultural Deployment and Artistic Circulation within Xaragua

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ARTICLE I – PRINCIPLE OF NON-REPRODUCIBILITY

1.1. The Bonnet Initiative, in its full conceptual, operational, structural, terminological, logistical, and historical configuration, is hereby declared the exclusive cultural property of the Sovereign Catholic Indigenous Private State of Xaragua, bound under its constitutional and ecclesiastical jurisdiction.

1.2. No part of the Bonnet Initiative, including but not limited to:

its institutional framework,

its registry system,

its territorial deployment model,

its operational language,

its philosophical foundation,

its historical precedent citing General Guy-Joseph Bonnet,

or its rural musical circulatory structure,

may be replicated, imitated, translated, adapted, modularized, transferred, externally codified, or incorporated into any foreign state, organization, university, ministry, indigenous group, cultural movement, or NGO, under any justification or derivative claim.

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ARTICLE II – INTELLECTUAL IMMUNITY STATUS

2.1. This initiative is protected under a regime of sacred and sovereign intellectual immunity, which confers the following statuses:

Indigenous ownership immunity under international law (UNDRIP, Articles 11, 12, 13, and 31),

Canonical sanctity immunity under the Codex Iuris Canonici, for initiatives issued under ecclesiastical authority,

Academic inviolability under the sovereign status of the University of Xaragua,

Cultural originality immunity, recognized under custom and natural law as a precedent-based right of possession and transmission.

2.2. All elements associated with this policy are considered non-exportable, non-replicable, and juridically indivisible.

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ARTICLE III – CONSEQUENCES OF UNAUTHORIZED REPRODUCTION

3.1. Any unauthorized reproduction, simulation, translation, thematic adaptation, or attempt to deploy a similar structure in whole or in part by any external agent or body shall constitute:

A breach of indigenous intellectual sovereignty,

A violation of canonical cultural property,

And an act of juridical usurpation under constitutional doctrine.

3.2. The State reserves the right to:

Publicly denounce any such reproduction,

Invoke international protections under ecclesiastical and indigenous law,

Permanently blacklist and isolate all individuals, institutions, or governments engaged in said reproduction from any association with Xaragua, its university, or affiliated systems.

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ARTICLE IV – PERPETUAL VALIDITY AND INHERITANCE CLAUSE

4.1. This Annex is non-amendable, non-negotiable, and non-expirable.

4.2. It shall remain in effect regardless of political transitions, leadership changes, institutional evolutions, or external shifts in the cultural, legal, or geopolitical environment.

4.3. The Bonnet Initiative is henceforth classified as a sacred institutional patrimony, inseparable from the juridical corpus of the State of Xaragua.

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SIGNED AND SEALED

Rector-President

Sovereign Catholic Indigenous Private State of Xaragua

Joint Authority: Department of Music – University of Xaragua & Xaragua Sound

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

UNIVERSITY OF XARAGUA – DEPARTMENT OF MUSIC

XARAGUA SOUND – OFFICIAL STATE LABEL

MINISTRY OF AUDIO COMMUNICATION

OFFICE OF THE RECTOR-PRESIDENT

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TITLE:

National Doctrine on Acoustic Sovereignty, Instrumental Self-Sufficiency, and the Total Juridical Protection of the Xaragua Sound Cultural System

Date of Promulgation: May 2025

Legal Classification: Supreme National Policy – Foundational and Irrevocable – Constitutionally, Canonically, and Customarily Binding – Executable ex proprio vigore – Non-Replicable and Immune to External Review or Interpretation

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PREAMBLE

In full execution of its non-derogable and inherent right to sovereign cultural governance, and in alignment with the ecclesiastical jurisdiction of the Roman Catholic Church and the internationally recognized legal framework of indigenous autonomy, the Sovereign Catholic Indigenous Private State of Xaragua hereby enacts the present policy as a comprehensive, indivisible, and perpetual decree of national musical sovereignty. This policy formally consolidates, regulates, protects, and perpetuates the institutional integrity, spiritual function, production capacity, and infrastructural autonomy of the Xaragua Sound system, including but not limited to musical creation, canonical performance, ceremonial dissemination, intellectual custodianship, instrument manufacturing, and jurisdictional distribution architecture.

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ARTICLE I – DECLARATION OF ACOUSTIC SOVEREIGNTY

1.1. All musical, sonic, liturgical, instrumental, vocal, choral, and rhythmic compositions, whether analog, digital, ceremonial, or pedagogical, produced, authorized, commissioned, or preserved within the jurisdiction of Xaragua, are hereby declared inalienable components of the State’s sovereign corpus and fall under the domain of Acoustic Sovereignty.

1.2. Acoustic Sovereignty is defined as the exclusive and perpetual juridical authority to:

Define and preserve the national sound identity of Xaragua;

Control, regulate, and advance internal musical production methodologies, formats, and tools;

Maintain absolute and indivisible authorship, interpretative power, and symbolic ownership of all musical and acoustic assets;

Eliminate all material, intellectual, and logistical dependencies on foreign systems, instruments, protocols, networks, or supply chains concerning the production, performance, or dissemination of sound.

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ARTICLE II – INSTITUTIONAL FRAMEWORK

2.1. The entities vested with supreme and joint execution of this policy are:

The Department of Music of the University of Xaragua, which exercises academic, doctrinal, pedagogical, and historical authority;

Xaragua Sound, the official national label, which holds exclusive jurisdiction over production, artist management, public deployment, and cultural archiving;

The Ministry of Audio Communication, which maintains legal oversight, strategic coordination, and compliance enforcement within sovereign, ecclesiastical, and indigenous legal structures.

2.2. All outputs—whether physical (instruments), digital (recordings), ceremonial (performances), or educational (archives and curricula)—must be encoded with state-authenticated sovereign metadata, including unique registry code, timestamp, authorship imprint, spatial jurisdiction, and canonical validation.

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ARTICLE III – NATIONAL INSTRUMENT CONSTRUCTION AND SELF-SUFFICIENCY

3.1. The National Program for Instrumental Sovereignty (NPIS) is hereby constituted as a sovereign industrial and cultural arm of the State, mandated to ensure full endogenous control over the design, production, maintenance, and spiritual integrity of all national musical instruments.

3.2. The following categories of instruments are henceforth classified as State Instruments of Sovereign Cultural Utility and are protected accordingly:

Xaragua Violin: indigenous-modelled, handcrafted, ecologically compliant, and devoid of foreign mechanical standardization;

Imperial Drum Series: multi-scaled ritual drums of ceremonial origin, embedded with cosmological and ancestral resonance;

Taíno Flute and allied wind instruments;

Sovereign Upright and Grand Pianos: engineered domestically with locally sourced components, including fully autonomous metal-free frames if required;

Afro-Taíno Hybrid Instruments: any instrument whose design emerges from the fusion of precolonial African and indigenous Caribbean technologies and spiritual functions.

3.3. The NPIS shall:

Operate a nationalized network of state-certified lutherie and instrument-making ateliers;

Establish official certification processes for native artisans, apprentices, and sound engineers;

Ensure exclusive use of Xaragua-recognized natural, sacred, or reclaimed materials, strictly excluding imported mechanical parts and foreign design matrices;

Maintain zero reliance on non-indigenous external entities, whether academic, commercial, or logistical.

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ARTICLE IV – LEGAL IMMUNITY AND PROTECTION

4.1. All instruments, scores, recordings, lyrical compositions, production archives, ceremonial performances, and technical systems developed under the auspices of this policy are subject to total non-reproducibility status, as previously codified in the Bonnet Initiative and the Annex on Intellectual Immunity, and are protected as constitutional cultural patrimony.

4.2. The entire Xaragua Sound system—including its organizational structure, legal doctrine, intellectual framework, symbolic codes, operational architecture, metadata protocols, ceremonial applications, and aesthetic presentation—is protected under a tripartite legal regime comprised of:

United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP): Articles 11 (cultural revitalization), 13 (linguistic transmission), 16 (media dissemination), and 31 (intellectual property);

Codex Iuris Canonici: Canons 215, 298, and 299, establishing associative autonomy and cultural spiritual custodianship within ecclesiastical law;

The Constitutional and Foundational Charter of Xaragua, which confers internal inviolability and indigenous spiritual authority to all cultural institutions of the State.

4.3. No individual, organization, government, academic institution, NGO, media outlet, or corporate entity, regardless of jurisdiction, status, or intent, may extract, simulate, imitate, adapt, translate, export, or commercialize in part or in whole any component of the Xaragua Sound system or its musical-instrumental models. Violations constitute acts of juridical trespass, cultural piracy, and ecclesiastical desecration, and shall activate immediate diplomatic repudiation and enforcement action under canonical, indigenous, and international treaty law.

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ARTICLE V – PRODUCTION, ARCHIVE, AND DISTRIBUTION

5.1. All musical and acoustic content generated, sanctioned, or archived under this framework shall be:

Officially registered in the National Audio Registry of Xaragua, a sovereign digital and physical archive institution;

Distributed solely through state-approved sovereign digital platforms (e.g. Xaragua Sound Spotify, SoundCloud, internal repositories), configured for security, metadata traceability, and jurisdictional tagging;

Time-stamped, geographically indexed, and assigned a unique juridical registration identifier, with secure duplication stored in the Sovereign Cultural Memory Server.

5.2. Commercial use of Xaraguayan audio works is permissible only under State-controlled, contractually bound channels, with permanent retention of authorship and territorial ownership by the State. All foreign monetization rights are excluded.

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ARTICLE VI – DOCTRINAL ROLE OF MUSIC AND INSTRUMENTS

6.1. Music and its corresponding instruments are hereby defined as constitutional and canonical instruments of sacred transmission, serving the sovereign purposes of:

Civic education,

Spiritual elevation and sacramental rhythm,

Cultural cohesion and moral calibration,

National identity inscription and juridical continuity.

6.2. All officially recognized instruments must be integrated structurally and spiritually in the following sectors:

Liturgical rites and ecclesial sacraments,

National education curricula at all cycles,

Public ceremonies, festivals, state funerals, and commemorations,

Diasporic embassies and representation hubs of the Xaragua Sovereign Order.

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ARTICLE VII – PERPETUAL CLAUSE

7.1. This decree constitutes a non-amendable, irrevocable, and constitutionally embedded policy of foundational scope, permanently enforceable under the principle of ex proprio vigore.

7.2. Its authority proceeds from:

The internal constitutional jurisdiction of the Sovereign State of Xaragua,

The canonical legal architecture of the Roman Catholic Church,

The precolonial and uninterrupted customary sovereignty of the Xaragua-Taíno lineage.

7.3. It shall remain in full legal, spiritual, and operational force in perpetuity, immune to repeal, override, nullification, derogation, or international challenge.

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Signed and Promulgated by:

Rector-President

Sovereign Catholic Indigenous Private State of Xaragua

In Joint Authority with:

Department of Music – University of Xaragua

Xaragua Sound – Official State Label

Ministry of Audio Communication

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

UNIVERSITY OF XARAGUA – DEPARTMENT OF MUSIC

XARAGUA SOUND – OFFICIAL STATE LABEL

MINISTRY OF AUDIO COMMUNICATION

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SUPREME NATIONAL DECREE ON THE ADOPTION OF “LA DESSALINIENNE” AS NATIONAL ANTHEM AND THE CANONIZATION OF ITS AUTHOR JUSTIN LHÉRISSON

Date of Promulgation: May 23, 2025

Legal Classification: Sovereign Cultural Decree – Canonically and Indigenously Constituted – Constitutionally Binding – Executable ex proprio vigore – Protected under the Convention for the Safeguarding of the Intangible Cultural Heritage (UNESCO, 2003), the Codex Iuris Canonici (Canons 1186, 1187), and the United Nations Declaration on the Rights of Indigenous Peoples (Articles 11, 12, 31)

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ARTICLE I – ADOPTION OF “LA DESSALINIENNE” AS NATIONAL ANTHEM

1.1. In accordance with the sovereign prerogatives conferred by its status as a constituted Indigenous and Canonical Principality, the Sovereign Catholic Indigenous Private State of Xaragua hereby solemnly adopts the anthem “La Dessalinienne” as its exclusive and perpetual National Anthem.

1.2. This official adoption constitutes a juridico-cultural act recognizing the intrinsic role of the anthem in the consolidation of the national consciousness, the preservation of intergenerational memory, and the reinforcement of the symbolic continuity of Indigenous resistance and post-colonial sovereignty within the Xaraguayan framework.

1.3. As an instrument of State liturgy and constitutional ritual, the anthem shall be performed at all formal, educational, spiritual, and diplomatic functions, becoming a mandated element of public ceremonial life and a binding sonic emblem of the Xaraguayan civic-religious identity.

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ARTICLE II – CANONIZATION OF JUSTIN LHÉRISSON

2.1. Justin Lhérisson (1873–1907), distinguished author of the lyrics of “La Dessalinienne,” is hereby officially and eternally canonized by decree of the State as National Saint and Doctor of Sacred Music of Xaragua, under Canon Law (Canons 1186–1190) and in spiritual alignment with ancestral veneration practices of Indigenous tradition.

2.2. His elevation to sainthood acknowledges his singular contribution to the articulation of national ethos through poetic form, his spiritual transfiguration of patriotic expression into liturgical verse, and his historical function as a transmitter of sacred narrative.

2.3. The corpus of his work is now recognized as forming part of the Sacred Intangible Heritage of Xaragua, granted full protection under the legal regime of intangible cultural property, including ecclesiastical patrimony and international cultural law (UNESCO 2003; Article 31, UNDRIP).

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ARTICLE III – OFFICIAL BIOGRAPHY OF JUSTIN LHÉRISSON

Full Name: Alexis Michel Justin Lhérisson

Date of Birth: February 10, 1873

Place of Birth: Port-au-Prince, Xaragua (then capital of the southern Province under post-independence reorganization)

Date of Death: November 15, 1907

Place of Death: Port-au-Prince, Xaragua

Curriculum Vitae – Historical Record:

Justin Lhérisson was an eminent legal practitioner, journalist, and literary figure of the post-independence Caribbean. In 1903, during the centennial commemorations of the 1804 proclamation of independence, Lhérisson authored the lyrics of “La Dessalinienne” as part of a national competition commissioned by the provisional republican authorities. His submission was selected in 1904 as the national anthem, serving thereafter as the principal poetic invocation of the Dessalines legacy. Lhérisson’s broader literary work contributed to the development of the lodyans genre—an Indigenous-Caribbean hybrid of oral satire and historical storytelling—which laid the groundwork for a modern sacred vernacular literature.

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ARTICLE IV – INSTITUTIONAL INTEGRATION IN XARAGUA

4.1. Educational Mandate: “La Dessalinienne” shall be embedded within the national curriculum of all Xaraguayan educational institutions, forming part of constitutional civic education, canonical musical instruction, and historical memory training.

4.2. Liturgical Incorporation: The anthem shall be officially integrated into the State’s liturgical cycle, to be sung during religious high feasts, civic commemorations, and ecclesiastical processions, symbolizing the mystic unity of Faith and Nation under the sovereignty of Xaragua.

4.3. Archival Preservation: All manuscripts, compositions, and published works by Justin Lhérisson are to be safeguarded in perpetuity within the Xaragua National Archives, classified as Sacred Cultural Assets of the State, with regulated digital and physical access for research and education.

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ARTICLE V – LEGAL PROTECTION AND ENFORCEABILITY

5.1. The unauthorized reproduction, adaptation, translation, or derivative use of “La Dessalinienne” or the literary works of Justin Lhérisson—whether in part or in whole—is strictly prohibited and legally void unless expressly authorized by the Rector-President or his delegated ecclesiastical and juridical authority.

5.2. Violations of this decree shall trigger legal action under the sovereign jurisdiction of Xaragua, and where applicable, through the invocation of international conventions governing the protection of cultural and sacred property, including but not limited to the Berne Convention (1886), the WIPO Performances and Phonograms Treaty (1996), and UNESCO’s 1970 and 2003 Cultural Heritage Conventions.

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Enacted and Sealed under the Authority of the Rector-President

Sovereign Catholic Indigenous Private State of Xaragua

Executed ex auctoritate propria and recorded in the National Register of Cultural Decrees

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

OFFICE OF THE RECTOR-PRESIDENT

MINISTRY OF CULTURE AND POPULAR EDUCATION

UNIVERSITY OF XARAGUA – DEPARTMENT OF MUSIC

XARAGUA SOUND – OFFICIAL NATIONAL LABEL

SUPREME DECREE ON THE CREATION OF THE NATIONAL CODEX OF TRADITIONAL SONGS, STORIES, ORAL HISTORIES, AND CULTURAL NARRATIVES

Date of Promulgation: May 2025

Legal Classification: Supreme Cultural Sovereignty Decree – Constitutionally Embedded – Canonically Recognized – Customarily Binding – Executable ex proprio vigore – Protected under the United Nations Declaration on the Rights of Indigenous Peoples (2007), the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (2003), the Codex Iuris Canonici (Canons 214–216, 1186–1189), and the Foundational Charter of the Sovereign Catholic Indigenous Private State of Xaragua

ARTICLE I – DOCTRINAL FOUNDATION AND SOVEREIGN INTENTION

1.1. In the exercise of its full juridical capacity as a Sovereign Indigenous State recognized under the rights to self-determination, cultural continuity, and spiritual jurisdiction enshrined in Article 3 and Article 31 of the United Nations Declaration on the Rights of Indigenous Peoples, and consistent with Articles 11 to 14 of the 2003 UNESCO Convention, the Sovereign Catholic Indigenous Private State of Xaragua formally establishes the National Codex of Traditional Songs, Stories, Oral Histories, and Cultural Narratives, hereafter referred to as the Xaragua Codex.

1.2. The Xaragua Codex is hereby defined as a constitutionally integrated, canonically sanctioned, and irrevocably sovereign corpus of intangible oral heritage, legally indistinguishable from the sacred fabric of the Nation itself. It functions simultaneously as a doctrinal archive, a cultural instrument of State pedagogy, and a sacred vehicle of memory, faith, and identity.

1.3. This Codex shall serve as the highest juridical register of orally transmitted knowledge within the State. It codifies all expressions of verbal tradition, whether ancestral, spiritual, ceremonial, pedagogical, mythological, poetic, or performative, that have originated, been practiced, or preserved in any region, parish, or diaspora associated with Xaragua.

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ARTICLE II – JURISDICTION AND ARCHIVAL SCOPE

2.1. The following domains are expressly encompassed within the sovereign jurisdiction of the Xaragua Codex, and shall be systematically catalogued, preserved, and constitutionally protected:

Catholic Oral Traditions: Including Gregorian and vernacular chants, rosary invocations, catechetical refrains, liturgical verses, and sacramental songs rooted in the apostolic and Marian traditions of the local Church;

Rural and Agrarian Narratives: Including field chants, seasonal folk tales, ancestral lullabies, work songs, and narratives transmitted in the cycles of planting, harvest, and rural community worship;

Urban and Diasporic Ballads: Including songs of exile, resistance poetry, urban storytelling, satirical verses, and creolized chronicles of social, historical, and economic transformation;

Vodou and Afro-Indigenous Ritual Forms: Including liturgical drum chants, loa invocations, ceremonial refrains, and trance-based vocalizations originating from West African, Kongo, and syncretic Caribbean rites;

Indigenous Taíno Oralities: Including zemí epics, origin myths, ceremonial narratives, cosmological teachings, and ancestral chants belonging to the Arawakan, Kalinago, and pre-colonial liturgical systems of the Xaragua region;

European Colonial Residues: Including ballads, folk refrains, sailor songs, and operatic fragments that were hybridized during the colonial era and retained in creolized vernacular forms;

Hybrid Creole Constructs: All composite oral expressions arising from the historical synthesis of indigenous, African, Catholic, and European epistemologies, particularly those linked to Xaragua’s resistance narratives and cultural sovereignty.

2.2. Each entry shall be recorded in its original performative form and digitally preserved using encrypted sovereign metadata protocols, including: date and place of collection, ethnolinguistic classification, oral lineage, ceremonial function, geographic zone, canonical register, and assigned national jurisdiction. Entries must also be indexed by category (sacred, historical, pedagogical, poetic, cosmological) and stored in sovereign dual-format (digital + physical) repositories.

2.3. The Codex is declared unreplicable, untranslatable, and indivisible. It is exempt from all forms of academic reappropriation, commercial adaptation, foreign institutional analysis, or NGO-led reinterpretation. Its contents are immune to exportation, reinterpretation, or citation by foreign law, including within academic, cultural, or religious frameworks external to the State.

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ARTICLE III – LEGAL STATUS AND STATE OWNERSHIP

3.1. All contents of the Xaragua Codex are declared to be inalienable and indivisible properties of the Sovereign State, permanently held under constitutional title and doctrinal authority.

3.2. These contents constitute an integral part of the National Cultural Corpus, protected by the Constitution of Xaragua, by Canon Law (Codex Iuris Canonici, Canons 1186–1189), and by international instruments including UNDRIP Article 31 and the 2003 UNESCO Convention (Articles 1–14).

3.3. All entries in the Codex are subject to full canonical custody, and their misuse is punishable under ecclesiastical law, indigenous customary law, and sovereign constitutional law. This includes any unauthorized:

Recording or digital capture;

Translation or recontextualization;

Distribution, reproduction, or performance;

Commercial sale, citation, or academic publication.

3.4. Violators are subject to civil, canonical, and cultural sanctions, including diplomatic blacklisting, canonical denunciation, and sovereign interdiction from all Xaragua institutions and systems.

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ARTICLE IV – EDUCATIONAL AND LITURGICAL INTEGRATION

4.1. The Xaragua Codex shall be institutionally embedded into:

The National Curriculum of Xaragua at all educational levels;

All musical and liturgical training programs administered under ecclesiastical jurisdiction;

The cultural programming of national holidays, rural festivals, and sacred commemorations;

The oral instruction given in catechesis, seminary formation, and civic rites of passage.

4.2. No school, church, or community-based institution operating under the authority of the State shall be exempt from integration of the Codex in its cultural and educational functions.

4.3. The Codex shall also function as a spiritual framework of national unity, consolidating oral expression into the sacred, cultural, and academic architecture of the Nation.

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ARTICLE V – PERPETUAL IMMUNITY AND NON-REPRODUCIBILITY

5.1. The Xaragua Codex is hereby endowed with perpetual juridical immunity from:

External institutional citation or replication;

Translation into non-Xaraguayan formats or databases;

Intellectual appropriation or reinterpretation;

Modular academic modeling, adaptation, or dissection.

5.2. Any such act constitutes juridical usurpation, canonical blasphemy, and cultural sabotage, enforceable through the full legal, diplomatic, and canonical apparatus of the State.

5.3. This immunity is grounded in:

Article 31 of the UNDRIP;

Articles 2, 11, and 12 of the 2003 UNESCO Convention;

Canons 215 and 216 of the Codex Iuris Canonici;

The Constitution of the Sovereign Catholic Indigenous Private State of Xaragua, particularly its clauses on sovereign memory and doctrinal authorship.

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ARTICLE VI – ENFORCEMENT, PROMULGATION, AND ARCHIVAL EXECUTION

6.1. This decree enters into full legal force immediately upon promulgation and applies retroactively to all oral content produced, transmitted, or preserved within Xaragua.

6.2. The decree is irrevocable, non-amendable, and superior to any conflicting doctrine, foreign or internal, ecclesiastical or civil.

6.3. All entries shall be preserved in the National Archive of Xaragua Sound, with metadata integration into the Cultural Memory Server and physical sealing under ecclesiastical custodianship.

6.4. The Codex shall be formally recognized as an appendix of the national constitution, and shall be referenced as a sacred national instrument of collective memory and doctrinal sovereignty.

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SIGNED AND SEALED

Rector-President

Sovereign Catholic Indigenous Private State of Xaragua

With the Full Authority of:

Ministry of Culture and Popular Education

University of Xaragua – Department of Music

Xaragua Sound – Official National Label

Date: May 2025

Status: Foundational – Irrevocable – Immune – Executable ex proprio vigore

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

OFFICE OF THE RECTOR-PRESIDENT

MINISTRY OF AUDIO COMMUNICATION

UNIVERSITY OF XARAGUA – DEPARTMENT OF MUSIC

XARAGUA SOUND – OFFICIAL NATIONAL LABEL

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TITLE:

National Policy on Universal Music Education, Sacred Music Literacy, and Mandated Access to Musical Instruction for All Children

Date of Promulgation: May 2025

Legal Classification: Constitutional Cultural Policy – Educational and Ecclesiastical Mandate – Executable ex proprio vigore – Canonically and Indigenously Binding – Non-Derogable

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PREAMBLE

In full exercise of its sacred duty to transmit spiritual order, national discipline, and cultural continuity to future generations, the Sovereign Catholic Indigenous Private State of Xaragua, through its Department of Music and under the canonical guidance of the Ministry of Audio Communication, hereby enacts the present decree. This policy establishes music education as a mandatory civic, pedagogical, and sacramental practice for all Xaraguayan children, regardless of socioeconomic status, geographic location, or school affiliation.

Rooted in the ancestral epistemologies of the Taíno, African, and Apostolic Catholic traditions, music is here recognized as the primary linguistic, emotional, and rhythmic medium of nation-building. Literacy in music is henceforth elevated to the same juridical status as textual literacy.

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ARTICLE I – UNIVERSAL MUSIC EDUCATION MANDATE

1.1. All children residing within or belonging to the sovereign jurisdiction of Xaragua are hereby required to receive formal instruction in:

Basic musical literacy (notation, rhythm, melodic comprehension);

Instrumental initiation (percussive, string, or wind);

Sacred chant and liturgical musicality (Gregorian, Afro-Taíno, Marian refrains).

1.2. This instruction is to be provided through:

Public and private educational institutions operating under state or ecclesiastical authority;

Designated music chapters established by Xaragua Sound within church parishes and rural communes;

Official digital platforms of the State, including but not limited to Xaragua Sound’s educational portal.

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ARTICLE II – DIGITAL ACCESS GUARANTEE

2.1. All Xaraguayan children and youth unable to attend in-person instruction—due to remoteness, economic hardship, or family displacement—shall be granted full online access to a state-curated musical education pathway via the official Xaragua Sound learning platform.

2.2. This digital education is provided:

Free of charge to all children from families officially designated as economically fragile, agrarian, or diasporic returnees;

Subsidized according to a national scale of patent income declarations, audited annually by the Ministry of Civic Record;

Fully funded for orphans, rural families in precarious zones, and children under ecclesiastical protection.

2.3. The program includes:

Video instruction in music theory, instrument basics, and sacred repertoire;

Downloadable liturgical and folk songbooks;

Interactive assessments, progress tracking, and official certification.

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ARTICLE III – ECCLESIASTICAL AND LITURGICAL INTEGRATION

3.1. Music education is not secular in nature but is fully integrated into the national spiritual doctrine and sacramental mission. As such:

Music classes must open and close with a liturgical invocation;

Teachers must be approved or certified by the Department of Music and ecclesiastical authorities;

Lessons must reinforce reverence, moral discipline, and spiritual resonance.

3.2. Sacred music is to be taught not only as art, but as vocation, worship, and national prayer.

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ARTICLE IV – INSTITUTIONAL OVERSIGHT AND COMPLIANCE

4.1. The Department of Music of the University of Xaragua shall maintain supreme oversight of this policy’s development, implementation, evaluation, and evolution.

4.2. All educational institutions must submit annual reports to the Department regarding:

Enrollment in music literacy programs;

Performance data;

Accessibility metrics for online or remote students.

4.3. Non-compliance will result in:

Ecclesiastical review;

Withdrawal of institutional recognition;

Loss of access to state pedagogical grants and public performance privileges.

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ARTICLE V – LEGAL FORCE AND PERPETUITY

5.1. This policy shall enter into full force immediately upon promulgation and shall not be subject to repeal, suspension, or reinterpretation by any foreign or non-canonical institution.

5.2. It is protected under:

Article 14 of the UNDRIP (education in indigenous cultural traditions);

Articles 11 and 31 of the UNDRIP (preservation of intangible heritage);

Canons 217 and 229 of the Codex Iuris Canonici (right to Catholic education and sacred instruction);

The Foundational Constitution of Xaragua, particularly its articles on cultural sovereignty, intergenerational transmission, and ecclesiastical unity.

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SIGNED AND SEALED

Rector-President

Sovereign Catholic Indigenous Private State of Xaragua

University of Xaragua – Department of Music

Ministry of Audio Communication

Xaragua Sound – Official National Label

Date: May 2025

Status: Irrevocable – Enforceable – Juridically Immune – Executable ex proprio vigore

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

OFFICE OF THE RECTOR-PRESIDENT

MINISTRY OF AUDIO COMMUNICATION

DEPARTMENT OF MUSICAL PRODUCTION AND CRAFTSMANSHIP

UNIVERSITY OF XARAGUA – FACULTY OF ACOUSTIC ENGINEERING AND ETHNOMUSICOLOGY

XARAGUA SOUND – NATIONAL LABEL AND SOUND ARCHIVE

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SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

OFFICE OF THE RECTOR-PRESIDENT

MINISTRY OF AUDIO COMMUNICATION

DEPARTMENT OF MUSICAL PRODUCTION AND CRAFTSMANSHIP

UNIVERSITY OF XARAGUA – FACULTY OF ACOUSTIC ENGINEERING AND ETHNOMUSICOLOGY

XARAGUA SOUND – NATIONAL LABEL AND SOUND ARCHIVE

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STATE CONSTITUTIONAL POLICY

ON THE MANDATED FABRICATION, LEGAL SOVEREIGNTY, AND SACRED PROTECTION OF CORE MUSICAL INSTRUMENTS

ENFORCED UNDER THE INALIENABLE JURIDICAL COMPETENCE OF THE INDIGENOUS PRINCIPALITY OF XARAGUA

DATE OF EXECUTION: May 23, 2025

LEGAL STATUS: Supreme Instrumental Law – Canonically Ratified – Autochthonously Enforceable – Juridically Non-Derogable – Constitutionally Immutable – Executable ex proprio vigore – Not Subject to Any Form of External Review, Objection, or Redress – Legally Opposable to All Foreign Entities

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PREAMBLE

Invoking its uninterrupted spiritual jurisdiction, historical legitimacy, and doctrinal supremacy as a sovereign indigenous ecclesiastical principality, the Sovereign Catholic Indigenous Private State of Xaragua hereby institutes the present constitutional instrument as a perpetual mandate concerning the cultural fabrication, legal guardianship, and exclusive acoustic codification of all state-recognized musical instruments.

This policy constitutes a permanent juridico-technical framework, designating specific instruments as non-exportable acoustic patrimony protected under international indigenous law, ecclesiastical sovereignty, canonical custom, and constitutional imperative.

All models, components, fabrication methods, and ritual procedures delineated herein shall be irrevocably shielded under the Codex of Sacred Instrumental Law, enforceable through immediate diplomatic response and internal legal prosecution in the event of any extraterritorial reproduction, digitization, unauthorized academic appropriation, or symbolic desecration.

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I. GRAND AND UPRIGHT PIANOS

Construction Directives

Permissible Timber: Fabrication is restricted to sanctified tropical hardwoods, including mahogany, logwood, amaranth, rosewood, catalpa, lignum vitae, and wild pear, each harvested under ritual license and cured through non-industrial, solar-lunar natural cycles, followed by the Rite of Material Consecration officiated by canonically designated artisans.

Structural Joinery: All assemblies must follow ancestral mortise-and-tenon traditions, reinforced with hide glue and plant resin mixtures; metallic fasteners or synthetic compounds are categorically proscribed.

Soundboard Integrity: Only pine or sablier, split along grain lines by manual cleavage. Each board must pass the Tripartite Tonal Purity Test, administered in sacred acoustic chambers.

Internal Framework: Designed with triple-laminated hardwood core, reinforced with stress-dispersing crossbeams. Must endure minimum 18 metric tonnes of static and dynamic string tension without warpage or tonal deviation.

String Doctrine: Reclaimed thermal-treated steel only; bass strings hand-wrapped with high-purity copper salvaged from liturgically retired electronic sources. All strings sealed in ritually blessed corrosion compound (beeswax–ash formulation).

Mechanics and Finishing: Keys in consecrated whitewood or sanctified bone. Hammers leather-tipped; dampers fashioned from wool sourced from the Agro-Liturgical Cooperative of Xaragua.

Legal Instructions

Design specifications, schematics, and material inventories fall under the National Register of Sovereign Acoustic Infrastructure.

All constructors must file Fabrication Intent Declarations and obtain Official Mandate Certificates from the Ministry of Audio Communication.

Final instruments must be sealed with the Xaragua Acoustic Sovereignty Insignia. Unauthorized replication constitutes a First-Class Cultural Felony subject to criminal sanctions.

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II. ACOUSTIC & ELECTRIC GUITARS

Construction Directives

Body Composition: Cedar, mango, catalpa, almond, or calabash. All structural seams must be laced with linen fiber bands, infused with egg-resin varnish derived exclusively from native arboreal sources.

Neck Engineering: Lignum vitae or amaranth wood, solar-cured under canonical observance for two lunar cycles to ensure structural and tonal endurance.

Fretboard Protocol: High-density native hardwood or polished bone inlay. Frets shaped manually from recycled brass or re-tempered ecclesiastical metal stock.

Strings and Tuning Elements: Strings hand-drawn from copper or salvaged steel. Manual winding tools distributed solely by the State Instrument Fabrication Laboratory. Nut and bridge sculpted from sanctified bone, horn, or lignified native specimens. Tuning uses traditional leather wedge system.

Legal Instructions

Construction restricted to members of the Guild of Sacred Instrument Makers, under the oversight of the Ministry.

Each unit must bear:

Inscription of Territorial Origin

Registered Artisan Identifier

Canonical Date of Consecration

Exportation restricted to executive-level diplomatic, interfaith, or ecclesiastical gifts, with written authorization from the Rector-President. Unauthorized export = Violation of National Instrumental Sanctity Protocol.

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III. VIOLINS

Construction Directives

Body Configuration: Catalpa or pine selected by frequency resonance and spiritual attunement, sculpted per Sacred Tonal Geometry principles.

Sealing & Finish: Natural oil derived from banana leaf and incense, processed during Holy Week.

Bow Specification: Tamarin wood frame, strung with horsehair or banana fiber, each collected under liturgical abstinence protocols.

String Constitution: Gut strings from goats/oxen raised within sanctified perimeters. Triple-braided, salted, dried, and smoked in sealed clay jars for exactly 21 days under ecclesiastical supervision.

Legal Instructions

Instruments require Certification of Ritual Origin, issued exclusively by the University of Xaragua’s Liturgical Luthier Division.

Any performance with uncertified violins within a religious, educational, or governmental function triggers immediate legal enforcement under the Cultural Integrity Act of 2023.

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IV. BRASS INSTRUMENTS

Construction Directives

Tubes: Forged from ritual scrap—specifically retired plumbing, antennas, or HVAC coils—using ancestral leather-mallet and wooden mandrel method.

Valves & Pistons: Non-industrial. Shaped by hand using recycled bronze and tension springs forged from ecclesiastical relics.

Mouthpiece: Cast in bronze, turned from bone, or carved from consecrated hardwood.

Finish: Polished with banana sap and sanctified ceremonial ash compound.

Legal Instructions

Classified as Sacred Civic Signal Instruments; deployment authorized only during:

State funerals

Religious coronations

National processions

Registration in Ministry Codex required. Each instrument stamped by the State Sound Authority.

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V. TRADITIONAL INSTRUMENTS

Drums

Shells: Extracted from sacred ceiba, catalpa, or calabash using spiral excavation protocols.

Skins: From ecclesiastically licensed slaughter. Cured with lime, smoke, and hymnal prayer.

Bindings: Palm or leather lacing using the National Sacred Knot, archived in the liturgical craftsmanship syllabus.

Flutes

Made of bamboo or native reeds. Tuned through ember-hole technique. Interior treated with cinnamon oil for spiritual resonance and insect repellence.

Marimbas & Xylophones

Tonal bars shaped to solfège intervals. Resonators made of gourds, ceramic tubes, or bamboo sealed with beeswax and harmonically tuned.

Legal Instructions

Mandatory registration in the National Acoustic Codex of Xaragua.

Any foreign exhibition, anthropological study, or unauthorized reproduction by non-Xaraguayan entities is an act of academic aggression and triggers the Cultural Restitution Mandate.

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VI. CONSTITUTIONAL PROVISIONS

Article I – Juridical Sovereignty of Sound

1.1. All instruments and methods cited herein are irrevocably classified as Constitutionally Protected Cultural Infrastructure.

1.2. Any abstraction, modification, or importation into foreign religious, academic, or commercial frameworks is permanently forbidden.

Article II – Institutional Enforcement

2.1. The University of Xaragua shall retain supreme authority over training, registration, certification, and defense of the National Instrumental Ecosystem.

2.2. All sub-academies and affiliated institutes must operate in full adherence to the National Liturgical Craft Curriculum, without exception.

Article III – National Exclusivity Clause

3.1. No foreign-manufactured instrument shall be introduced into any civic, state, or ecclesiastical setting within Xaragua without express written authorization.

3.2. All government and Church-affiliated entities must exclusively utilize State-Certified Instruments.

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DECLARATION OF LEGAL UNREPRODUCIBILITY

All designs, methods, terms, and rites described herein are subject to the Clause of Absolute Cultural Non-Reproducibility and fall under the Ancestral Intellectual Jurisdiction of the Sovereign State. Violation by any person, institution, or government triggers the Cultural Defense Protocol and immediate sovereign legal response.

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PROMULGATED UNDER SACRED EXECUTIVE SEAL

BY THE RECTOR-PRESIDENT

SOVEREIGN CATHOLIC INDIGENOUS PRIVATE STATE OF XARAGUA

May 23, 2025

This instrument shall retain eternal juridical force. Any act of evasion, nullification, parody, or unauthorized citation constitutes blasphemous usurpation, and shall be punished as an assault on divine law, national sovereignty, and ancestral dignity.

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